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USHPIZIN
Ushpizin
is the Hebrew word for holy guests, particularly
guests at the feast of Succoth, when many
Jews build arbors outside their homes
in which to take meals during the
seven days of this harvest festival. Afterward,
the arbors are taken down. Building
these tabernacles was ordained in the
Bible and is considered obligatory
for the Orthodox. The temporary structures, from
which the sky must be seen, have been
called a democratic manifestation
because both rich and poor live in the
primitive dwellings; also, they symbolize
the transitory stages of life and the
transitory nature of ife itself. It
is an honor to receive guests in the succoth
and to shower them with hospitality.
Ushpizin
are similar to the ancient Greek xenoi
,
or guest strangers, who were welcomed
with hospitality. Reb Moshe, a 40-something
penniless Orthodox scholar in Jerusalem,
and his wife Mallli want to build
a succoth and buy the traditional succoth
accouterments: palm branches, willow,
myrtle, and a citron, a large, splendid
lemon. Moshe is a recent convert to Orthodoxy,
which has helped him overcome the violent
temper he was subject to in his secular
life. But his temper manifests itself
when he sits outdoors on a bench praying
loudly for money to build a succoth. This
is no "If I were a rich man,"
but a calling on God in a paroxysm
of demand. An anonymous stranger
hands Moshe and Malli $1,000. Moshe's
prayer is answered. And that's where the
trouble starts.
Moshe is played
with conviction by the Israeli actor Shuli
Rand, who wrote the screenplay and is
himself a convert to Orthodoxy. While
Moshe is building his succoth, his
holy guests are on the way. They appear
outside a penitentiary, presumably returning
from home leave to complete their sentences
for an unnamed though not heinous
crime. But they decide instead to delay
their return and visit their old friend,
Reb Moshe, who welcomes the Ushpizin
to his succoth. Shaul Mizvahi and Ilan
Ganani play them as opportunists with
a sense of humor. Moshe and his wife Malli,
stout, motherly Michal Bat-Sheva Rand--Shuli
Rand's wife and an actress as well known
as her husband--feed the ushpizin
fish, meat, salad, red and white wine,
and after dinner offer them cigarettes,
which they all enjoy happily. The feasts
continue day after day. Mistakenly believing
that Moshe and Malli are rich, the ushpizin
abuse their hospitality, stealing whatever
small things they can get their hands
on. They also threaten to reveal Moshe's
secret, that his good nature conceals
an inherently violent temper that he seems
to have concealed from Malli. They even
try to steal the bulbous citron, which
is believed to insure the birth of a child,
a blessing Moshe and Malli eagerly await.
But rather than allow himself to be bullied
into exposing his temper, Moshe decides
the truest test of his religious
faith is how he and Malli treat
their holy guests. Not surprisingly,
all ends happily.
Director Gidi Dar is a secular
Jew who has made documentaries and videos
before Ushpizin, a prize winner
at the Jerusalem Film Festival. He shot
the film in an Orthodox neighborhood,
where residents avoid not only movies
but, as much as possible, non-religious
Jews. Dar asked the leader of the sect,
whose members he portrays, for permission
to film there; after reading Rand's screenplay,
he granted permission. Ushpizin' s
screening at the Jerusalem Film Festival
was reportedly an almost unprecedented
melange of Orthodox and secular Jews,
and the film has been extremely successful
in Israel. As a portrayal of an aspect
of Israeli life that few outsiders see,
Ushpizin should find an audience
in the U.S. It is a delight.
John L. Hochmann
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